Traditional architectural drawing is an effective communicative device used to portray conscious spaces. In contrast to Hermann Rorschach’s Rorschach Ink Blot Tests, his tests were designed to analyse a subject’s psyche through psychological interpretation.  

This is a theoretical enquiry into bestowing a secondary application to architectural representation. Current architectural conventionalities strictly pertain to traditionalist methods of representation allowing little opportunity for theoretical adjacencies to occur.

RorschArch is a series of various architectural drawings that aim to intersect the conscious nature of architectural representation with psychoanalytic ambition. This interrogation looks to hypothesise on architectural representation as a means of self-reflection and expression, encouraging it out of its conscious condition to allow for unconscious manifestation.